VIDEO: Get ready for More Pretty Little Liars! Everyone Is Fighting!

Pretty Little Liars When Pretty Little Liars returns, the ladies will not function as the tight-knit foursome we are familiar with seeing. "The ladies have produced this schism, especially between Spencer and Emily," Troian Bellisario, who plays Spencer, told TVGuide.com. "They have two different ideas of methods to beat this type of is doing on their behalf.In . Pretty Little Liars Start Searching: Everything does not look wonderful for your couples Emily, meanwhile, isn't any more backing lower and following Spencer's plans. "Emily has acquired a great deal confidence," Shay Mitchell states."She's really around the pursuit to uncover who A is and prevent everything." Inside the video below, we get together with Bellisario, Mitchell, Lucy Hale and Ashley Benson, who share some knowledge of the arrival season, including Aria and Ezra's "being launched," the return of Maya, and three (yes, three!) large fight moments. Pretty Little Liars returns on Monday, Jan. 2 at 8/7c on ABC Family.

VIDEO: Past Cinema's Leather-Bound Lady Cyber-terrorist

Because the impeding contraption worn by Difficulties inside the Girl While using Dragon Tattoo most definitely bear watching, a few individuals are a little more preoccupied with how Rooney Mara’s character, Lisbeth Salander, falls while using types of cinema’s best-known female computer cyber-terrorist. Hint: Virtually! Within the team that condensed all Alicia Silverstone’s Not aware clothes to at least one mind-melting minute, find below one minute chronicling the leather-leaning sartorial habits in the ladies in Cyber-terrorist, The Matrix, Buffy the Vampire Slayer as well as now’s Dragon Tattoo. You'll find males in here, too (Tom Cruise = much less leatherlike), but yawn. I won’t hands out its ending, except to convey that youthful Julia Stiles stood a callous style her very own making Salander look absolutely docile in contrast. Enjoy! [via Worn Fashion Journal]

Motion-capture tests acting restrictions

Andy Serkis shows Caesar, the ape leader, in 'Rise in the Planet Ape.'Is it acting, or animation? The honours season brings this into sharp relief again, with motion-capture films like "Tintin" planting themselves firmly inside the animation camping, while Fox runs an honours campaign for Andy Serkis' perf in "The Increase in the Planet in the Apes."The Screen Stars Guild faces a hard fight with art galleries around the fundamental question -- will be the figures throughout these films, or earlier photos for instance "Polar Express," "Beowulf" and "Avatar," undertaking as genuine stars or something like that like this else?The Alliance of motion Picture & Television Producers doesn't recognize such behave as being trained in guild's master contract. Meaning companies achieve call the shots in regards to the stipulations for thesps which do performance-capture work, sometimes classifying it lower-needing to pay background work.SAG is seeking to get performance capture, a part of motion capture (or mo-cap), just like a feature of normal contracts, since multimillions are at risk. Aside from salaries, an option affects actors' terms for ancillaries, additionally to medical health insurance and pension coverage.Somewhat a minimum of last year, SAG introduced in "Avatar" producer-director James Cameron and creating partner Jon Landau to explain the impact of motion capture technology throughout discussions with AMPTP. The hourlong presentation incorporated eight minutes of behind-the-moments footage, with Cameron recalling he and Landau needed pains to not take sides."The presentation was very agnostic," Cameron notifies Variety. "There has been 50 people on a single for yellows and 50 however, so Jon which i were careful to ensure that people continued to be in the middle. I seriously considered very encouraging for the artists, however am furthermore a producer, and then we weren't there getting a political agenda -- i had been there to ensure that they might negotiate in the position of understanding."Cameron notes that there has been very handful of questions. The primary factor he preferred to create is always that what artists do moving capture is certainly acting, and not what he referred to as "a red-colored-colored-headed stepchild.""I believe that it is great for stars, because there is a undivided attention in the director," according to him. "Which I preferred to shake the perception it isn't always acting."Cameron notes that motion-capture acting frequently requires less filming than conventional shooting, through which each take should be shot from five different vantage points after which it replicated with the actor."With performance capture, yet another take might be exploratory because you don't need to duplicate performances (to acquire a precise match)," according to him. "You will have a brand-new idea, so there's more possibility of be ingenious. People think you just have one chance, but it's quite contrary.InchNor SAG nor the AMPTP would comment about Cameron's presentation, stating the discretion pledge they needed because the substance of discussions in September 2010.Affiliates recall that reps in the AMPTP had asserted through the discussions that motion-capture artists should not be covered particularly inside the master contract since they were involved with simply a pc creation. Along with the information on Cameron, saved under systems by SAG as well as the AMPTP for more than a year, wasn't enough to help the AMPTP signatories that SAG deserved specific contract language covering mo-cap."Our position is always that stars are acting, which triggers coverage," states SAG's Ray Rodriguez, national professional director of contracts. "Ultimately, it may be inside the companies' interests to standardize anything language."The end result is that producers cost nothing to produce the regards to motion capture -- meaning they aren't required to classify a artist just like a "principal." That holds lower initial compensation, since several are paid out the daily minimum, and precludes the artist from receiving residuals.In performance capture, stars placed on bodysuits that track every movement digitally to make sure that fantastical character features might be overlaid onscreen. Solar energy remains used in many of movies.More recently, the art has advanced to the level where one can capture subtle facial actions, which causes it to be possible to incorporate human emotion for the faces of figures different from Na'vi to apes. It's brought to some large change of terminology from motion-capture to performance-capture.The proliferation in the technologies have elevated enough concern from SAG it produced a national performance-capture committee couple of years ago.Rodriguez states people need a standardized number of terms. "I'd not describe the current situation as ideal."Woodsy Schultz, who did performance-capture be employed in "Avatar," "Beowulf," "The Adventures of Tintin" and "The Polar Express," remains chairman in the SAG panel for virtually couple of years. Schultz notes the acting that's behind motion capture is the same as non mo-cap perfs."There are many false tales because everyone sees this to become like 'Shrek,' when it is actually a flesh-and-blood stream performance with nuance and emotion," Schultz notifies Variety.Schultz thinks "Apes" will be a critical and box office success due to the emotion conveyed with the stars playing the simians -- particularly Serkis, who's the protagonist.Furthermore, the first time in the major performance-capture movie, the heavens in "Apes" did lots of their undertaking in outdoors locations rather than inside the highly controled atmosphere of motion-capture soundstages, which are often known as "volumes." This allowed for just about any much greater versatility and interaction with real physical objects rather than imagined ones."It made what may have been a sci-fi movie into something much more,In . Schultz states. "Progressively more filmmakers are realizing your skill now."Schultz was some the Morocco mole sequence in "Tintin," the Asher character in "Beowulf" and carried out one of the scientists adding to 100 different Navi in "Avatar.""I like acquiring the job,Inch Schultz states. "It's truly much like regular acting except you have to learn to relocate the apparatus -- and you also don't (always) hold the luxury of props."When SAG, which has jurisdiction over stars in just about all major films, has elevated the performance-capture condition in past contract discussions -- the first time twelve in the past at concerning the time when Cameron was providing the little products of digital thesping in "Titanic" -- companies have responded throughout discussions by stating that mo-cap can be a "non-mandatory" subject of settling which they aren't required to barter.Although the quantity of thesps used in mo-cap remains relatively small, the AMPTP remains loath to produce any concession on any portion of jurisdiction, because it sets a precedent that's generally irreversible.Before reaching a 3-year offer November 2010, SAG leaders made the decision to decrease the eye moving-capture coverage.SAG could mention the issue again by 50 percent years, even though odds are the guild might have merged while using American Federation of Television & Radio Artists in those days, that might complicate discussions, since the key problem of the merger will in all probability be the best way to allocate employer pension and health contributions rather than anything associated with mo-cap.The professional-merger forces have contended that SAG and AFTRA might have more clout just like a combined union -- a contention that been disputed on numerous occasions by Alan Rosenberg, who offered two terms as SAG leader from 2005 to 2009. He is constantly insist that AFTRA's leaders are actually too taking companies, that your merger will put people leaders in the dominant position."We might get motion-capture language once the AMPTP is at a magnanimous mood, but I am certain it may be at the fee for another factor,Inch Rosenberg notifies Variety. "It's a mislead condition that we'll become more effective by merging with AFTRA."Still, Cameron's willing revisit AMPTP headquarters if summoned. "I'll involved for the extent that every side wants me being involved," according to him. Contact Dork McNary at dork.mcnary@variety.com

Doctor Who's Karen Gillan and Arthur Darvill to Exit Series Next Season

Doctor Who Karen Gillan and Arthur Darvill, who play companions Amy Pond and Rory Williams on Doctor Who, will be leaving the series after the upcoming season, head writer and executive producer Steven Moffat announced Thursday. "The Ponds will be rejoining us next series. But the final days of the Ponds are coming," Moffat said at a news conference for Doctor Who's upcoming Christmas special, according to the UK Mirror. "I am not telling you when and I won't say how. But that story is going to come to a heartbreaking end." As depressing as this news is to fans, it should be noted that Moffat refers to both characters as if they share Amy's last name, not Rory's. The Doctor is a lonely Time Lord though, so the companion void will be filled soon enough. Moffat teased, "And then the Doctor is going to meet a new friend and I am not going to tell you about he, she or it." The Doctor Who Twitter account, however, tweeted that more details will be available Friday. Doctor Who boss and Karen Gillan on River Song, how her parents met and Hitler Gillan, 24, joined the series in 2010 as the first companion of the Eleventh Doctor, portrayed by Matt Smith. Darvill, 28, began as Amy's fiancé Rory, who eventually became the Doctor's companion and married Amy. "We have had the most incredible journey and we had to hold hands at first when we joined," Smith said. "It is very disappointing, but this show is about change. It is always about looking forward." BBC, which produces and distributes the long-running sci-fi series, told the Mirror it was a "mutual decision" for Gillan to exit. She succeeded previous companions such as Catherine Tate and Billie Piper. Doctor Who's Arthur Darvill: I hope Rory stops dying In an interview with The Los Angeles Times posted Wednesday, Gillan - who is currently appearing in a play on London's West End - said she hoped to pursue more projects on the stage in the future. "I want to do more theater. I want to do more stage. I have a real passion for it. I want to do it as much as screen stuff, in all honesty, so that would be really amazing. Maybe something on Broadway. I'd love to do that. Not a musical, maybe like a play on Broadway." As for that third companion River Song, whose complicated backstory has been the source of much drama this past season, Moffat commented that she will probably be returning in some capacity. Earlier this year, Smith hinted at this own departure from the series, but he is signed on to appear in at least 14 more episodes, which would premiere sometime in 2012 and run through 2013. The Doctor Who Christmas special airs Saturday, Dec. 24 at 8/7c on BBC America.

An Online Detective: A Game Title Title Of Shadows clip online

A completely new clip from hotly-anticipated super-sleuth follow-up An Online Detective: A Game Title Title Of Shadows finds its way online.Fortunately the footage doesn't scrimp round the one factor we've showed up at love most relevant for this new franchise: the bromantic banter between Robert Downey Junior and Jude Law (Also called Holmes and Watson).Watson seems at Holmes' Baker Street residence, but he cannot find his elusive, chameleon-like partner...That's an sufficient quantity of our description, get watching it by yourself now.An Online Detective: A Game Title Title Of Shadows opens inside the Uk this Friday. Why not pass time for the time being by reading through through our summary of the film?

Tom Hiddleston on 'War Equine,' 'The Avengers' and Chosing Between Steven Spielberg, Kenneth Branagh and Woodsy Allen

The topic at hands at the time which i spoke to Tom Hiddleston was the brand new Steven Spielberg epic, 'War Equine.' Regrettably, that did not stop the apparently opportunistic author before me from asking Hiddleston to sign a Loki-designed 'Avengers' poster -- a author that rapidly skedaddled in to the ether, departing me behind to wash in the now slightly awkward mess. Obviously, Hiddleston signed the poster. From things i collected, Hiddleston will invariably sign the poster because he's been on the other hand, when nobody had any curiosity about him or his poster. It's been quite the entire year for Mr. Hiddleston, starring at the spine-to-back-to-back movies directed by Kenneth Branagh ('Thor'), Woodsy Allen ('Midnight in Paris') and today the Spielberg-directed Oscar contender, 'War Equine.' In 'War Equine,' Hiddleston plays the serious Captain Nicholls, an english officer who purchases a equine named Joey for everyone as his personal steed throughout the first times of The First World War. Hiddleston spoke about his fairly brief role in 'War Equine,' shared tales of debauchery around the group of 'The Avengers,' and -- when placed on the place -- quite remarkably, chose between Branagh, Allen or Spielberg because the one director he'd like to utilize again. Coincidentally, I carry the Rob Fiennes, Uma Thurman 'Avengers' poster beside me, if you want to sign that, too. [Laughs] I'll just sign it as being Uma. I loved 'War Equine.' Thanks, guy. You are not inside it much. Well, I am inside it around I am inside it. That's now my headline. [Laughs] Very little I'm able to do about this now. You realize, it is simply a pleasure to utilize Steven. And That I did not think anybody's inside it much. The real star from the film is Joey. It had been funny, I shot this soon after I finished ... well, I'd a really, very busy summer time. I shot 'Thor' for five several weeks -- the very first five several weeks of 2010. I Quickly did a fast three days in Paris with Woodsy Allen for 'Midnight in Paris.' Then went directly into 'War Equine.' And getting performed Loki the very first time for such a long time and type of stoked in the fire famous that mental damage, it had been like living within that crazy guy for five several weeks. After which I saw Captain Nicholls within the script and also the first line states, "Captain Nicholls is really a tall, kind, compassionate, decent, upper class, gentleman British officer." And That I thought, that could be a pleasant means of spending my summer time. But there's an unusual earnestness to both Nicholls and Loki. I had been awaiting Nicholls to show evil because we're not that serious without ulterior motives. But he's. [Laughs] He's, yeah. It's nice because, you realize, within this film, Nicholls happens to be an agent of cruelty. Because when he appears within the film, he's the agent of separation. He separates the equine and the boy. And something would hope the crowd has already been invested for the reason that relationship -- they previously want individuals two to remain together. Also it could have been very easy to show Captain Nicholls into this cruel, military, disciplinarian officer who had been there to tear people apart. But what Michael Morpurgo authored: he's just really, great. And That I believed that really was sweet, really. You pointed out the 3 movies you shot this year that arrived on the scene this season. You labored with three very famous company directors back-to-back-to-back. I understand, it's, well ... there is a line in 'Hamlet,' I believe, "When sorrows come, they are available not single spies, however in battalions." And also the same might be the case with good stuff too. It's like buses! Working In London, when you are awaiting a bus, you will be there for 30 minutes after which three can come at the same time. It's as easy as that. I do not think that's only a London factor. That occurs in NY, too. They've buses in NY? I required a bus here in the Upper West Side. That's crazy, I do not think I have ever observed the buses. They're here! Oh, yeah, I had been just visualizing the large red-colored London buses. OK, I am putting yourself on the place: You are able to only do yet another movie and you've got to choose between Kenneth Branagh, Woodsy Allen or Steven Spielberg. That do you choose? My dear God. And you are not to imply, "This is actually the best guy" it is simply more who you want to have another knowledge about. Must i select one? Yes. I must? Yes. Oh, gosh. [Lengthy pause] They are all great. They truly were. This is sort of a terrible, tough question. I'm not sure basically can select simply because they all trained me such various things. And That I really seem like all of them... What did Woodsy Allen train you? Woodsy Allen trained me the miracle happens should you appear. Half the task is turning up, in ways. While he works so rapidly and thus fast that there are virtually no time for more than-thinking it, really. You simply perform a handful of takes and move ahead. There is however a miracle that occurs within the chemistry from it, I suppose, which i possibly did not trust before I met him. I've found it interesting you are dealing with Henry V, thinking about your relationship with Branagh. [Laughs] I've his blessing. Allow me to return to your last question, I guess I would like to use Steven again. Why? Simply because he's the actual. I honestly think he's ... it's difficult to place into words. The truth is, I'd have pardoned him grandeur. It is extremely strange whenever you meet someone who's basically the architect of the childhood imagination. I was raised watching his films: 'E.T.,' 'Jaws,' 'Raiders from the Lost Ark,' 'Close Encounters,' 'Jurassic Park,' 'Schindler's List,' 'Saving Private Ryan.' And That I could not believe I had been permitted to spend some time, not only in the company, but working together with him, artistically, on the film. And, secondarily, how kind he was. He's the kindest, best, most humble guy I have ever met within this business. Still passionate, still nervous, still will get excited just like a child on set. After which, third, he's so unbelievably proficient at his job. And it's not only celebrity, and it's not only the accumulating of credits -- he's essentially an remarkable builder. His capability to visit a shot, to determine something on the set ... amazing. For Henry V, I am wishing that Ken has hopes that I am not attempting to knock him off his Shakespearean perch. Basically love Shakespeare, he's area of the reason I really like it. And i believe Shakespeare is much like an Olympic torch you need to spread from one generation to another. So, I saw the tail finish individuals signing that 'Avengers' poster after i walked in. Is the fact that facet of it getting old? Nah, guy. Chris Evans did not appear to achieve the better of occasions on 'Captain America,' though he did enjoy 'The Avengers.' However I type of got the sense he was type of over that facet of it. Really? [Laughs] I believe it is good, guy. I believe it is a high-class problem, you realize. That's true. You won't want to be that asshole. Yeah! "Oh, there's a lot of people nobody appreciate the job that I have done. Ooooh nooo." Yeah, I have experienced the alternative situation where you've labored very hard on something and nobody wants your signature and nobody wants a poster individuals. So, yeah, I ought to be so lucky. Had you been the rabble-rouser on 'The Avengers' set? Was I? I'm not sure? I believe you had been. Maybe I had been. Yeah. I am a mischievous prankster. Actually, all the Avengers are. I stated this at NY Comic-Disadvantage a few days ago... I had been there. You had been extremely popular using the audience. [Laughing] But it is absolutely true, this really happened. In Albuquerque one evening -- also it wasn't frequently that everyone was there simultaneously -- but there is one weekend that people counseled me there. I recall obtaining a text from Chris Evans, which visited the mobile phone of each and every other Avenger also it simply stated, "Avengers Assemble." For drinks. Yep [laughs]. It had been just amusing. I was full-scale within this bar in Albuquerque around the party area going bananas. Thinking about your history together, do you want that Kenneth Branagh had return for that second 'Thor' movie? You realize, initially, I had been sad he wasn't returning. But, initially, after i had heard he had selected to not come, I had been very sad because I am so happy with his accomplishments in pointing that film. But, then, I realize why. He's very busy and she has other activities he really wants to do being an artist. Like a director so that as an actress. And Marvel is really clever. They are fully aware their very own metal. They understand how to perform the comic stuff. Vehicle explosions and all sorts of the CGI and stuff, however they need somebody who has a very great handle on story and stars and also the muscularity of performance. And That I assume he said first prior to being within the press. Yeah, he did. He known as and stated, "It has nothing related to you or Chris or anybody at Marvel, I really like them. I'd a lot of fun.Inch There is however just other activities he really wants to do. [Photo: DreamWorks] You are able to contact Mike Ryan on Twitter Follow Moviefone on Twitter Like Moviefone on Facebook

Movie Moguls Talked, Joked, Mused About Oscars At Deadlines The Contenders Event

I hoped there would be fistfights. Or at least a chair thrown or two. “I tried but no one wanted to rumble,” Jeffrey Katzenberg told me later. Instead,Jeff Robinov,Tom Rothman, Rob Moore, Stacey Snider, Harvey Weinstein, Rob Friedman, and Katzenbergdemonstrated remarkable restraint as they talked, joked, and mused about the Oscars process today. Everyone was ribbing everyone, and a few zingers landed as well.There were so many studio bigwigs at the first day ofDeadline Hollywood’s two-day‘The Contenders’ event (which continuesSunday at 10 AM with still more moguls) thatit became a running joke. Deadline Awards Columnist Pete Hammond opened up the 2 PM ‘Moguls Panel’ by saying, “This kind of event has never been held before. You realize that, if a bomb dropped in here, Amy Pascal would own Hollywood.” (The Sony Pictures chairmancouldn’t attend.) The other studio chiefs came from hither and yon toattend ‘The Contenders’, and the packed crowdwas obviously appreciative.”Just sayin’it doesn’t get any better than that.So rare in these times to have as august a group come together and discuss,” one of the attendees emailed me afterwards.That’s why our venue, theLandmark Theatre, pulled out all the stops, even reupholstering the seats in anticipation of the Academy Of Motion Picture Arts & Sciencesvoters and select Hollywood Guild members who’d sit in them.If you attended today’s presentations, leave a comment and tell ushow it went. More details about ‘The Contenders’ this weekend. Next week we’ll be posting the uneditedvideo of the ‘Mogul’s Panel’which was moderated by Hammond and Deadline Film editor/NY Editor Mike Fleming. Here’s some of the studio chiefs’1 1/2-hour-long discussion: DEADLINE: “This is one of the most wide open Academy Awards seasons. Does that make you more likely to launch an aggressive campaign?” TOM ROTHMAN, Chairman/CEO Fox Filmed Entertainment: “Yeah, we have a lot of picturesbetween the studio and FoxSearchlight.But I am a contrarian about this. I think the whole notion of a race and spendingis hugely exaggerated. I think voters know what they want to vote for once theyve seen the movies. Our job is to get them to see the movies. To advance positions for them to think about. Ultimately the Academy is gong to decide.And I think in contrast to what is often said,ultimately I think it comes down to the movies. As it should.” DEADLINE: “Can an aggressive Oscar”campaign hurt?” ROTHMAN: “Well, I dont know, I guess theres some truth to it. I suppose it depends on what you mean by campaign. Academy Award winners sometimes gain a momentum because of a particular performance, and sometimes for length of career and all the work that has been done. Look recently at Paul Newman. You might not say [1986'sThe Color Of Money] washis best performance. But he won for his great body of nominations andwork.I dont really think, being on the stump so to speak, when in the privacy of the voting booth which is their living room that it necessarily makes a difference.” JEFF ROBINOV, PRESIDENT OF WARNER BROS: “Id say Mr. Weinstein proves him wrong every year.” HARVEY WEINSTEIN, CO-CHAIRMAN THE WEINSTEIN COMPANY: “That is the only thing that counts, so Tom and I agree more than you think.” ROTHMAN: “You have just witnessed an historic moment.” WEINSTEIN: “Ive said this a thousand times. The most important job is getting voters to see the movie. If they dont see the movie, they wont vote.” DEADLINE: “But it’s not as good to see these movies on a small screen via screeners.” ROTHMAN: “Its hard to get them to see movies on the big screen. Planet Of The Apes is not as good on a small screen.Alsothe other thing I think is time. It’s hard because of the crush of films that all come in at the end. Voterstry to be responsible, but sometimes they’re seeing multiple movies [in one day]. I agree with Harvey completelyon the need to see films in the theater as they were intended.” KATZENBERG: “We could end up with a horse against an ape this year.” DEADLINE: “Isn’t that especially true of 3D films?” JEFFREY KATZENBERG, CEO DREAMWORKS ANIMATIONS: “Yeah, just to sort of cut to the chase on this, we spend 4 years and $150 million on trying to make an exceptional experience in the movie theater. And use tools one of which is 3D. So we settle for the fact that many many many people will never see it this way.” DEADLINE: “Is it best to release anOscar contender earlier in the year and get out early like The Hurt Locker did in June?” ROB FRIEDMAN, CO-CHAIRMAN/CEO SUMMIT ENTERTAINMENT: “I think what everybodys saying is it’s vital to get the movies seen. In this case having the film out in June gave more time to build critical and audience response.” DEADLINE: “How did The Hurt Lockermanage to compete since its revenue cycle was over by the time big Avatar came out?” FRIEDMAN: “By the way, I did offer Tom [Rothman] and Jim [Gianopulos] the offer to trade revenue streams.” ROTHMAN: “We thought about it.” FRIEDMAN: “Actually we had not completed our revenue cycle. It was not out on DVD yet. It performed massively in those revenue environments. We knew that any kind of Middle East/Iraq film was challenging at best. It found its level theatrically, but was enormous in the home market.” DEADLINE: “Tom, would you have been happy to forget awards for Avatar as long as couldcount the money?’ ROTHMAN: “I guess the technical answer to that would be fuck, yes. [BIG LAUGH] Yes, we were disappointed to lose. I think Robbie and I found ourselves waiting for our cars by the heater that night, and I congratulated him mightily. But I made my career being honest, and if I said I wasnt brutally disappointed it would be an understatement. I think it is a common problem thathappens. David and Goliath is a very good narrative. It is easy to root for the little guy.I understand that emotionally.Fox Searchlight’s Slumdog Millionaire was small and won. The Academy giveth, and the Academy taketh away. We had a good year with Fox Searchlight’s Black Swan and Best Actress last time. Those things happen. I do think, if I can get on my bully pulpit for a few seconds, thatsometimes I think the craftsmanship and artistry in what is thought of as commercial cinema is not always given its proper place.Hurt Locker was ultimately thought the better film that year, that I understand. But when you look down categories, sometimes I think that other crafts get swept along.I was surprised and I would also say disappointed that thehard-working creative folks on Avatar were not recognized.” DEADLINE: “Which other of your films were unfairly overlooked over the years?” ROBINOV: “I think the quality of Harry Potter films has been somewhat discounted. Especially the last one. It feels like the type of movie that traditionally would receive some Oscar attention. Also Inception was a very bold movie, yet it was not rewarded for risk-taking, I do think there is some bias against Hollywood and the resources that it has. Nice when a movie like Titanic actually gets what it deserves.” DEADLINE: “How difficult is it having more than one film in serious contention.” STACEY SNIDER, PARTNER, CO-CHAIRMAN, AND CEO DREAMWORKS STUDIOS: “We do love both movies, The Help and War Horse, and there are similarities to both of them. What we focused on was getting audiences to see both of the movies. The Help had an extensive word-of-mouth campaign all summer to build enotion around the movie. It was left to audiences to remark on these extraordinary performances. The film has taken on an awards-worthy patina. With War Horse, we’re getting audiences to see it especially on thebig screen. It led us this time around to something never done before: to screen it widely to regular audiences and let them see it with their hearts.” ROTHMAN: “Movies are like children, and my mother treated all four of her children like the favorite. So I can’t pick onefilm over another to favor.” KATZENBERG: Im calling a technical. You arent supposed to invoke your mom or dad until after the nominations. DEADLINE: “Do Oscars matter to the box office of the big studio movies? ROBINOV: “Every time weve gone out to make an Academy movie, its failed.” ROB MOORE, VICE CHAIRMAN PARAMOUNT: “I think what you find at this time of year is, the movies that get this recognition, they get attention with filmgoers. So one of the biggest pieces of this is movies that you may not be able to sell in 30 seconds but have great performances. As you start to get attention from the Academy, people start to say, ‘Thats a movie that I should see.’ It’s easy to sell big special effects films. But when you have a film about a girl going back to steal her married ex-boyfriend from his pregnant wife [Young Adult], thats harder to say to someone in 30 seconds.” KATZENBERG: “Its hard to say that in two hours.Harvey is the smartest one of us. He uses the awards seasons to market his movies. He uses all of this competition, and he makes money.” WEINSTEIN: “Not only that we get to make some great movies and inspire other studios to finance some great movies instead of some of the movies that studios sometimes do. [Lots of laughs].Harry Potter is a seminal franchise. Im going to agree with Jeff: that franchise is not getting the respect that it should. An entire generation grew up into those films. For the young generation, it was a seminal experiencesaying goodbye to a franchise. [Harry Potter And The Deathly Hallows Part 2] is as good as any movie thats in competiton this year.” DEADLINE: “You all defendthe concept that studio filmmaking isnt bad just because it is big budget and gets big promotion.” ROTHMAN: “Jeffrey, as sharp as he always is, put his finger on the essential dynamic.There is a split in the modern movie business, and that split has reduced, and I think oversimplified. It has more to do with the method of marketing the movies than in the movies themselves. Audiencesjust dont care what a movie costs. They care how it makes them feel. But they do respond to how its presented to them. So big commercial movies that may go out high, wide and handsome with millions in TV advertising, I think its fair to say that awards for films like that are validation.” SNIDER: “I do think that the little/big, independent/studio comparision is a thing of the past. Studios can bring love to storytelling and attention to quality, but they should not be penalized because they are availing themselves of big marketing budgets.” ROTHMAN: “All I was saying is, in the life cycle of a picture, the value of the recognition is different.” DEADLINE: “Is the Oscar season too long?” KATZENBERG: “I think starting next year on Martin Luther King weekend,January14th orwhatever it is, on that weekend everybody gets their night. The first night we have the Golden Globes. The next night some other awards. All the way through the week. Everybody gets their night. The entire awards season will be 9 days long. Well do it together here in this theater. [BIG LAUGHS]The answer is yes, for sure. For some movies that is a huge benefit to them. They need that time, need that nurturing. The extension of this four months allows the films to be seen. But I think that the many awards, the long season, has made it anticlimactic. For me, I find that deeply disturbing. It has lost its patina. Academy Awards are the gold standard. I’m afraid it wont be as important to my son as it was to me.” DEADLINE: “Do you have a seminal Oscar moment? KATZENBERG: “On the other hand, the thing for me, you ask do we have memorable moments, I do know when I arrived here when I was 24 years old from NY, I very much remember that the single most inspirational thing for a young PA is that you would have some association with something worthy of the Academy Awards.” WEINSTEIN: “When Rain Man wonon Academy Awards night I was waiting for my car with that film’s producer Mark Johnson. And it took 2 hours for Mark to get his car, and 2 1/2 hours for me to get my car. It was a great equalizer.And tomorrow well all be saying to Justin Bieber, ‘Do you want to read this script?’”

Hulk Hogan Sues Ex-Wife for Defamation

Hulk Hogan Hulk Hogan filed a civil suit against ex-wife Linda Bollea Thursday, claiming she defamed him in her new book Wrestling the Hulk - My Life Against the Ropes, according to the St. Petersburg Times. In the book, and subsequent interviews to promote it, Bollea claims that Hogan (real name: Terry Bollea) physically abused her and also had a sexual relationship with male wrester Brutus Beefcake. Hulk Hogan remarries, but not without a fight Hogan is seeking a trial by jury to stop Bollea from making any additional comments. "He's being accused of all sorts of vile conduct that he did not commit," said Wil Florin, Hogan's attorney. "Miss Bollea's made enough of these outrageous allegations that it's time they stop. The only realistic way of making them stop is through the court system." Bollea filed for divorce from Hogan after 23 years in 2007. They have two children together: Brooke and Nick. Hogan wed girlfriend Jennifer McDaniel last December.

Lifetime Progresses With 'Blue Lagoon' Remake

"Madagascar 3: Europe's PopularInch The condition trailer for Madagascar 3: Europe's Popular remains released.our editor recommends'Madagascar' Spin-Away and off to Be Helmed by 'Bee Movie' Co-Director (Exclusive)Bronx Cobra Thanks 'Madagascar' for InspirationDreamWorks Developing 'Madagascar' Penguins Spinoff Movie (Exclusive) DreamWorks Animation's 3d threequel is positioned striking U.S. theaters on June 21, 2012 as well as the film features a voice cast including Ben Stiller, Chris Rock, Jada Pinkett Cruz, David Schwimmer and Frances McDormand. Madagascar 3 concentrates on Alex (Stiller), Marty (Rock), Melman (Schwimmer) and Gloria (Cruz) simply because they try to return the place to find NY from Europe without getting within the interest in the police (introduced by McDormand). They're clearly grew to become part of by a few from the pals, including King Julien (Sacha Baron Cohen), Maurice (Cedric the Artist) as well as the Penguins. "These pillows are filled with baby wild wild birds!," exclaims one of the penguins in the Monte Carlo accommodation. And contains the gang involved in a circus act. The big question remains: Do they really return to NY City? The comedy was directed by Eric Darnell and Conrad Vernon and put together by Noah Baumbach. Watch a clip below: PHOTO GALLERY: View Gallery The Big Screen's Evolution of Speaking Animals Madagascar 3 Madagascar

Wager signs CNN alum T.J. Holmes

Wager has cut a talent deal with former CNN anchor/correspondent T.J. Holmes. Pact requires Holmes to develop a show for your Viacom-possessed cabler additionally to create content for Wager.com. It's expected he'll lead some form of news verifying for Wager platforms, but particulars about his role as well as the show continue being hammered out. "He's been an excellent news anchor which we anticipate which makes them shine. It's here to develop automobiles that capture his intelligence, passion for the earth, warmth, humor and empathy," mentioned Stephen Hill, prexy of music programming and special deals at Wager Systems. Holmes grew to become part of CNN in 2006. Throughout his tenure while using all-news cabler he done tales different within the execution of Bottom to last year's British oil oil spill inside the Gulf. Before CNN, he labored at NBC's San Francisco Bay Area O&O. Contact Cynthia Littleton at cynthia.littleton@variety.com

Best Movie Robot Of 2011: Election For The Favorite

Using the finish of the season quickly approaching, the MTV Movies team is here now to request hard questions. Which movie had the very best ensemble cast of 2011, for just one? What about the finest sex scene of the season? Or possibly the most crucial question of: who had been the very best movie robot of 2011? It is a bizarre question, sure, but a reasonable someone to request: there have been a lot of 'bots in the box office this season, more menacing than the others. In the courageous Optimus Prime towards the useless 1980s Robot, listed here are your picks for that year's best motion picture robot. Cast your election following the jump! Optimus Prime, "Transformers: Dark From The Moon" In "Dark from the Moon," the courageous leader from the Autobots did what courageous leaders from the Autobots do best: started extreme levels of ass, required a great deal of names, and ripped his arch-enemy's mind and spinal-cord cleanse "Predator" style. Yeah, Prime's type of a badass. Wafflebot, "A Really Harold & Kumar three dimensional Christmas" "I Really Like YOU KUMAR." Never includes a robot stated such heartwarming words then quickly pissed away all warm and fuzzy feelings having a quick shot of scalding hot walnut syrup towards the junk. No matter the ice on our nads, we like you also, Wafflebot. Atom, "Real Steel" Anybody who are able to outbadass Wolverine is clearly doing something right. Atom of "Real Steel" wins points not only for awesome combat and attitude, but in addition for sending the classic underdog story which will be told again and again to any or all decades of ambitious robot boxers in the future. 1980s Robot, "The Muppets" Look, nobody likes 1980s Robot, not in present day Apple-heavy digital age. But how will you not love the thought of Kermit traveling around by having an absurdly outdated bit of walking machinery? He's 2011's WALL*E so far as we are concerned -- just a great deal less likeable. The Automaton, "Hugo" The gorgeous "Hugo" hinges upon the presence of a mysterious automaton our titular hero is attempting to correct and understand. The automaton does not get a lot of action, however when it will, this is an absolute question to behold. Take a look at our other year-finish polls: » Best Movie Ensemble » Best Sex Scene

Ad Forecasters Say TV And Digital Will Benefit Most From 2012 Growth

Three of the extremely prominent ad-predicting firms started the UBS Annual Global Media and Communications Conference today — simply because they typically do as of this event — by unveiling their up-to-date forecasts for 2012. And so they virtually agree: 2012 will improve than 2011. MagnaGlobal is about the conservative side, projecting3.2% rise in The U . s . States, and GroupM is a lot more bullish at 4%. MagnaGlobal EVP Vincent Letang states the U.S. ad market will love probably the most effective-ever quadrennial effect with $2.4B punching the marketplace from political campaigns, and $600M connected using the Summer season Olympics london. That’s why GroupM Futures Director Adam Smithwarns the ad-growth number in 2013 — without any quadrennial effect –”might be harder to look at.”The forecasters agree that television and digital will benefitmost within the rise in ad trading.Butthey warn that pay TVproviders need to be careful: Monthly monthly subscriptions “will come down by 500,000 yearly for next five years” partly due to competition from Web video companies for instance Netflix, states ZenithOptimedia Boss Steve King, whose company released its forecast last evening. Healso saysthat there’sareason to simply accept forecasts with abig touch of suspicion. “The ingredient that none individuals have incorporated can be a default” by European country.